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Seth Resler
Community Building for Event Producers#communitybuilding #eventprofs #virtualevents
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How do you turn content into a community?It starts by creating a space.Warner Bros. is offering a new Hollywood Studio Tour that showcases the Golden Age of Studio.By creating a space where people with a shared interest in these movies can come together, they could have the beginnings of a community.But it's not enough to just create a space.The people who come to your space must connect with each other.They must form relationships that become ongoing.Otherwise, your space is just another form of content.That's why a concert is just content, while a conference can be a community, even though they're both in-person events.Are you creating content or a community with your in-person events?https://lnkd.in/gg_ZVcn2#communitybuilding #eventprofs
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Ankit Parmar
Seeking Expert Digital Product Designers? Let's Connect! | Clutch Award Recipient 2024 🏅 | UpWork Top 3% Talent 🚀 | Clutch 5/5 Ratings ⭐
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I wrapped up watching first episode of "Abstract: The Art of Design" on Netflix, featuring the amazing designer, Olafur Eliasson who draws inspiration from the real world for his projects.His design process:✔️ Observation: He deeply observes surroundings, finding beauty in the simplest of things.✔️ Inspiration: He lets the world inspire him, from the colors of a sunset to the shapes of clouds.✔️ Creation: With his observations and inspirations in mind, he crafts designs that captivate and inspire others.What I learned:✔️ Look around: There's inspiration everywhere, so keep your eyes open!✔️ Experiment: Don't be afraid to try new things and push boundaries in your designs.✔️ Connect with your audience: Create designs that resonate with people on a deeper level.Recommendations for designers:✔️ Take time to explore the world around you and let it influence your work.✔️ Embrace experimentation and don't be afraid to think outside the box.✔️ Remember that great design not only looks good but also evokes emotion and sparks imagination.#DesignInspiration #Netflix #DesignThinking #Design #art
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Art Storefronts
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At Art Storefronts, we know that different revenue models work for different artists. From teaming up for pop-up galleries to experimenting with various strategies, we've seen it all and helped artists find their perfect fit.An important part of our job is exploring and validating these models to see what works best. Whether you're renting a space with fellow artists or trying out a new approach, we're here to support your journey.Curious about what strategy could work for you? Check it out here: https://bit.ly/3Q3SBAb
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Riley Benedik
Television, Radio, & Film Student at the S.I. Newhouse School of Public Communications at Syracuse University
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This week, for my Artist Representation course, I read an article detailing the box office results from Labor Day Weekend 2024. “Deadpool & Wolverine” reached a rare achievement of $600 million in domestic ticket sales, being only the 16th film to produce this amount of sales in history. Ranked as the second highest-grossing movie of the year, “Deadpool & Wolverine” has claimed the number 1 spot in the box office for five out of the past six weeks. This movie proves to stand out from others in the box office as the rest of the holiday weekend has resulted in being one of the slowest weekends of the year thus far. Domestic revenues have decreased 14.3% from summer of 2023, and Comscore analyst Paul Dergarabedian claims this weekend, “marks a quiet end to what turned out to be the comeback kid of summer seasons”, referring to cinema milestones in June and July. To further prove this weekend has been slower than most, only one of several opening-movies made the top-five in the box office (“Reagan”), with an estimated $9.2 million in sales across theaters by Monday. While directors are hopeful that sales will move in a favorable direction, other opening-movies are already predicting budget losses. To round-up the top-five for the weekend, “Alien: Romulus”(2) will bring in an estimated $11.5 million, “It Ends With Us”(3) will produce approximately $9.5 million, and “Twisters” (5) will result in $8.7 million by the end of the weekend. The summer favorites, “It Ends With Us” and “Twisters”still do not hold a candle to “Deadpool & Wolverine’s” smashing success, with the romance-drama collecting $135.8 million in North America and the action-packed adventure cumulating $256.9 million domestically. Regardless, successful films like these prove that people are still showing up to the theater to watch their favorite actors and actresses tell captivating stories on the big screen. Read the article here: https://lnkd.in/et3YRNwX Esquire Group Inc. James (J.T.) Hutchinson
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Manawendra Nath Tiwary
Program Manager | Delivering Complex, High-Impact Solutions | Design-Led Growth Architect | CX Strategist | Driving Innovation & Impact ✨
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Walt Disney once said, "It's kind of fun to do the impossible"Long live the legacy that #waltdisneyworld #waltdisney #innovationecosystem contributes to humanity.Over decades, we witnessed significant inventions from The Walt Disney Company, such as:-----🎥 Multiplane camera - a filming system designed to give animation more of a multi-dimensional feel.🌈 Technicolor - a film process that allowed movies to be produced in vibrant, lifelike!🎙 Fantasound- asound reproductionsystem with animated filmFantasia - the first commercial film released in stereo.⌚ MagicBands - inspired by Disney theme park guest experience, conceptualized by Frog Design. This revolutionized theme park guest experience wristband encoded with "everything a guest might need—park tickets, photos, coupons, even money".🎬 more and more and more - the first cartoons with synchronized sound, the first full-length animated feature film and, of course, the THEME park 🎢 ... and NOW "HoloTiles" 💫 - The system is composed of hundreds of small, round “tiles” that look to be about the size of a silver dollar. Each serve as a kind of mini, omnidirectional treadmill. Working together, their only task is to stop the walker from leaving the pad. The video made its debut last week, honoring Disney Research fellow Lanny Smoot.Imagine the use cases that might be inferred over retail shop associates and the whole consumer experience. The influence it may have on the gaming sector, travel sites, real estate, and hospitality, to mention a few. ✨
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Kristi Banhagel, MS
Champion for Growth & Connectedness | Author | Professional Development Trainer | Speaker | Curriculum Development | Outside of the Box Thinker Spreading Hope Where I Can.
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Have you heard of Walt Disney's three rooms?Makes for a good business "playground.""DREAMER -Dreamers spin innumerable fantasies, wishes, outrageous hunches and bold and absurd ideas, without limits or judgment. Nothing is censored. Nothing is too absurd or silly. All things are possible for the dreamer. Dreamers ask:If I could wave a magic wandand do anything I want – what would I create?(Pixie Dust - df)How would it look? What could I do with it? How would it make you feel? What is the most absurd idea I can conceive? The Dream-storming in Room 1 was the space for asking "What if?" and "Why not?"REALIST-The realist builds the dreamer’s ideas into something realistic and feasible. They try to figure out how to make the ideas work and sort them into an executable plan. To be a realist, ask:How can I make this happen?What are the main features and aspects of the idea? Can I build on ideas from the features or aspects? What is the essence of the idea? Can I extract the principle of the idea? Can I make analogical-metaphorical connections with the principle and something dissimilar to create something tangible?(Inversion, Forced Association- df)How can I use the essence of the idea to create a more realistic one?CRITIC-The critic reviews all the ideas and tries to find flaws in them by playing the devil’s advocate. Critics, ask:How do I really feel about it?Is this the best we can do? How can we make it better? Does this make sense? How does it look to a customer? A client? An expert? A guest? Is it worth our time to work on this idea? This was also where Walt was when he suggested "plussing" things up."https://lnkd.in/gkZdJa7q
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LAist
5,713 followers
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Studios turn to their archives for reboots and a second shot at success 🎥 💰 Movie studios, in an effort to buoy their current slates that have faltered in recent years, have begun to make a habit of repurposing their own library films.Why it matters: Reboots of existing titles have existed for some time, but never before have there been so many of them and of such varying types (i.e. classic titles and even some completely forgotten ones). For the younger creative executives and filmmakers who hope to invent fresh IP and come up with new stories, the trend has been a disheartening one as Hollywood prioritizes the narratives and films of the 1980s and 1990s.Why so many: The oft-cited reason for the reboot trend is the age of the executive class giving the go-ahead to the remakes. Hollywood used to be filled with under-30 wunderkinds who ran studios and ushered in new, creative voices. Now, it’s nearly impossible to find one under 50, and the gerontocracy seems to have a penchant for the movies they grew up on as opposed to new ideas. Additionally, polling suggests that audiences — even the younger ones — are more inclined to make the trek to the theater if there’s a nostalgia factor or previous IP in play.Rules for reboots: While reboots surely are easier to get made than most films these days, not all of them work, or even get the green light in the first place. Storytellers need a unique way into the old property as well as something that makes it relevant to contemporary audiences. Ideally, there’s some sort of tieback to the original, but as Twisters will likely prove when it debuts this weekend, that’s not necessarily a dealbreaker.For more . . . read the full story on The Ankler.This story is published in partnership with The Ankler, a paid subscription publication about the entertainment industry.
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Heather Gallagher M.Sc.
Strategy, Creative & Partnerships for Immersive Experiences & Transformative Events | Former Burning Man Head of Technology | Consultant | Speaker | Open to New Projects & Positions
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This #NYTimes article gives a sneak peak into Emursive Productions latest creation "Life and Trust." I was disappointed that the show was not open while I was in town for the WXO - World Experience Organization World Experience Summit (#WXS), but this article helps give insights into the new immersive theater #experience opening on August 1. It has some similarities to one of Emursive's other well-known productions "Sleep No More" in that it takes place across many levels in a #Manhattan high-rise, and is a modern #theatrical remake of a #Shakespearean plot.Here are a few key takeaways from the article that could inform the design of other immersive theater shows. Point #1 - The original #script was initially very text-heavy, but they removed most of it for movement-based work.I can not emphasize enough how important this is. In a choose-your-own-adventure free-roam #immersive theatrical production, you cannot expect everyone to be able to hear the dialogue nor to stand in one place long enough for monologue after #monologue after monologue. It's easy for a #writer to fall in love with their words, but just like a picture is worth a thousand words, so is #acting and storytelling that is effective at a distance or in distracting environments. Keep it simple. Recognize that everyone is not hanging on to your every word. This is even more important the bigger or more complex the production. Point #2 - To fill a night with the #story, and give guests a chance to catch new perspectives, they created 30 characters in 250 overlapping scenes that repeated twice a night. Each scene had to work independently - "like an advent calendar" describes the #director. Here is another imperative lesson in free-roam and choose-your-own-adventure #storytelling. Each segment or module must be its own mini-story within the bigger context. You cannot assume that the #audience caught a major plot twist in the last room the actors were in. Some may have followed, but others may join from a different thread altogether. Do your audience a favor and find a clever way to recap any major information or #plot twists that led to this scene. That way the audience can catch up and make sense of what they are seeing. Point #3 - Time-based sound cues were used to mark scene changes and scenes were padded with enough time for #actor movement and #transitions through a crowded theater. These cues are likely presented in a way that the audience would believe is part of the storyline and effects. These sounds are like a massive metronome to the #performers and #production crew, but don't have to be disruptive. It's great the actors can initiate the flow and movement, hopefully through compelling action or by directly addressing the audience, as nothing breaks the 4th wall more than having a docent or non-actor start directing traffic to try to get a crowd moving into another location.
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Matcha Design
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Good actors give backstories to their characters.Even if they never use them. It adds dimension to their work. In the same way, knowing your brand story can have a major impact on design choices - so tell your story!#TellYourStory #AddTheBackstory #ContextIsEverything
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Rasmus Hammarberg
Co-founder | CXO @ SPCE | Content Lead | Creative Copywriter | Writer
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When we try to tell our customers that our product can do everything, this happens.... I can't stop thinking that if this movie was easier to define, to put in a category we understand, that exists, it would do a whole lot better. And while it's totally sad that we need to categorize art, people and products to have people understand them, it's an undeniable fact. Which is my way of saying: think about what your product is and make your product message easy to understand from day 1. It will make a whole lot of difference. https://lnkd.in/d7gGZVk5
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